Part 1, “The Morning After the War”, begins in the last days of World War II. Just before US troops break into the estate of Count Georg von Striesow (Heiner Lauterbach), a young SS officer (David Zimmerschied) has the Countess (Natalie Wörner) shot because she refuses to betray her husband who has returned from the war as a deserter. The count was denounced by Franz Schober (Alexander Held), a prosperous farmer and fanatical Nazi, who immediately offers to serve the Americans with his meticulously recorded insider knowledge of Nazi members and their activities. The SS officer, Schober’s illegitimate son, is exposed to the Americans by his own mother, Hilde (Martina Gedeck). In any event, the US occupation is brief. Thuringia is assigned to the Soviet occupation zone, while Bavaria remains under American control. Soviet troops take over the village. Following a later revision of demarcation lines, US troops return to the western side of the village, which is divided down the middle. The Soviet soldiers are portrayed as violent thugs, taking revenge for the atrocities of the German military through rape and plunder. What the German troops have done in the east is not revealed until the third part of the trilogy. Schober’s firstborn son, returning late from the war, shouts into the count’s face that he himself had ordered massacres before deserting his command. In retaliation for the killing of German soldiers, entire village populations—men, women and children—were shot as partisans. One of the most powerful scenes in the first part includes the screening of a film recording the Americans troops’ liberation of Buchenwald concentration camp, which the Tannbach villagers are made to watch. Further plot developments focus on the count’s daughter, Anna (Henriette Confusius), and Friedrich Erler, the working class youth from Berlin. The young couple fall in love, hoping to find fulfilment in a new and better world, where there are “no top and no (thetvdb.com)